The 2008 Olympic Conference not only brought the worlds attention to China, but also the inspiration of countless international design masters turned to Chinese elements.While trying to understand Chinese culture, they can use these elements to use these elements
Family textile non -material cultural heritage exhibition area reproduces historical heritage Chinese skills
The 2008 Olympic Conference not only brought the worlds attention to China, but also the inspiration of countless international design masters turned to Chinese elements.While trying to understand Chinese culture, they can use these elements in product design.However, at this time, the design of Chinese design seems to have forgotten the native national characteristics, and they are still pursuing the former Western impression.
Yunjin, orchids, soil taineal brocade, Miao ethnic wax dye, Lu embroidery, Tibetan blankets, Su Xiu ... these intangible cultural heritage in the Chinese home textile industry are long and there are many types.Intangible cultural heritage is increasingly damaged and damaged, and some are even endangered.
Cultural heritage is the soul of a nation, and the immortal cultural heritage is an important part of the splendid Chinese civilization. These living cultural culture carries the genes and heritage of the cultural origin of the Chinese nation.Heroes show the worlds own personality and aesthetic habits inherent.However, how to fully protect and reproduce these intangible cultural heritage has become an important issue we need to face.
As one of the 15th China International Home Textiles and Accessories Expo (Intertextile-Homeshanghai)-"Home Textiles Non-material Cultural Heritage Exhibition" will become a wonderful chapter in the history of China Textiles.Yang Zhaohua, vice chairman of the China Home Textile Industry Association and vice president of the Textile Industry Branch of the China Trade Council, said in an interview with reporters that the home textile industry as a creative cultural industry can only integrate ethnic elements and international trends based on local culture.In order to design a good work, we can create a fashion trend that is different from the West and independent innovation.Therefore, this years home textile exhibition will communicate, publicize, publicize, and associate with the intangible cultural heritage associated with the home textile industry.Inheritance and protection of inheritance, and finding the source of product innovation for the Chinese home textile industry, bringing a new design direction to the home textile industry. At the same time, this measure also increased the cultural background of the exhibition.
President Yang Zhaohua said: "We should not just protect them in the museum to become antiques, but we should actively obtain new lives in modern life through inheritance and development. We have established the China Home Textile Culture and Arts Committee and Chinese home textiles.The purpose of the Culture and Art Center is to cherish national heritage, inherit Chinese civilization; innovate traditional art, and develop modern economy.It cannot be said that all of our traditional culture essence of the entire nation, but each category is like a rich creative treasure mine. We look forward to our home textile designers to explore, discover, create, and give them vitality.
This year, the China International Home Textiles and Accessories Expo use the "home textiles non -material cultural heritage" as one of the important activities. The exhibition area is expected to cover an area of ??500 square meters. Lu Xiu, Tibetan blankets, Su Xiu, etc., a total of more than 100 intangible cultural heritage works. Through these traditional peoples folk crafts, they can not only show the important achievements of my country in protecting the excellent home textile intangible cultural heritage, but also It is hoped that through this display, they will get new life in modern society.
The intangible cultural heritage has made the original problem of home textile products advocated by the Chinese home textile industry for many years, and found the source of innovation.Chinas 5,000 -year -old historical culture has accumulated profound cultural heritage in the intangible cultural heritage, and it is also an endless source of innovation in the design of Chinese home textiles.If the intangible cultural heritage can bring original inspiration to Chinese designers and promote the level of design of Chinese home textiles, it will help promote the upgrading of the Chinese home textile industry and make the Chinese home textile industry get the high -end value of a smile curve in the industrial chain.
Yunjin is ranked first in the three famous brocade of ancient China (Nanjing Yunjin, Suzhou Songjin, and Shujin, Sichuan). It is named after the color of "Dianli" like the sky.Yunjin, exquisite decoration, weaving workers is good, very charming, and unique cultural connotation of "words must be intentional, meaning auspicious".Material and cultural heritage.Nanjing Yunjin not only reflects the understanding and pursuit of Huaxias children, but also reflects the side of Yanhuang descendants who love life and enjoy life.
Dai Jin is in the channel of Dai Tuban, located in the southwestern part of Hunan Province.With its unique woven craftsmanship, national characteristics, rich and profound cultural connotations, bright and harmonious colors, elegant and dignified quality and distinctive national style, it has become one of the famous brocades in my country.Early history can be traced back to the Spring and Autumn and Warring States Periods to the Han Dynasty more than two thousand years ago.The traditional brocade is divided into "Su Jin" and "Cai Jin".According to different uses, it can be divided into: daily brocade, Shoujin, Fajin, etc.Weaving a brocade, it is necessary to pass more than ten processes such as cotton rolling, spinning, dyeing yarn, twisted gauze, twisted scriptures, discharge, and brocade.The traditional costumes of the Dai nationality are rich in colorful, and they reflect the ideological and cultural and artistic conditions of the Dai people from one aspect, and fully show the aesthetic consciousness of the Dai people.
Wax dye, known as waxy pupa in ancient times, and tiers (tie -dye), clamp (hollow printing), is also known as the three major printing techniques in ancient my country.Chinas dyeing technology has developed greatly as early as the Western Zhou Dynasty (LL Century -AD -771 BC).The wax dye should actually be called "wax anti -dyeing". It is painted with patterns on natural fiber fabrics such as hemp, silk, cotton, and hair, and then placed in a blue dye tank suitable for dyeing at low temperature conditions.The place where the wax is not stained, and the beautiful white flower produced by wax is removed.
According to the organizing committee of the exhibition, Yunjin, Dai Jian, Su Xiu, Nantong Old Rough Cloth, Shenxiu, Nantong Blue Printing Fabric, Miao Embanic, Lu Xiu, Qinghai Tibetan Sheep Rugs have confirmed the exhibition.In addition, the Intangible Cultural Heritage Exhibition Area will also invite Blue Prints non -material cultural heritage representative inheritors Wu Yuanxin and Su Tianmei to perform the production process at the exhibition site, and exhibit Wu Yuanxins "blue art" brand of blue printing flowers at home and abroadCloth clothing, craft series, etc.

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