At the 2009 home textile exhibition, the appearance of the home textile non -material cultural heritage exhibition area made people feel the long -standing historical culture and superb craftsmanship of textile skills.It is not only a home that has been advocated by the home textile industry for many years
The return of the culture of Chinese home textile design to highlight the local characteristics
At the 2009 home textile exhibition, the appearance of the Chinese family textile non -material cultural heritage exhibition area made people feel the historical culture and superb craftsmanship of Chinese textile skills.
It has found the source of innovation for the original issue of home textile products advocated by the Chinese home textile industry for many years, but also found new platforms and paths for industrial development for traditional techniques such as Yunjin, Jinjin, and blue printing cloth.
At the 16th China International Textile Exhibition, which is about to be held in August, the intangible cultural heritage exhibition area will still be one of the highlight areas of the exhibition. On the basis of 14 categories of exhibition categories last year, the exhibition area will be optimized and selected.Yunjin, Blue Printing, Dai Jin, Li Jin, Shen Xiu, handmade soil cloth, Lu embroidery and other categories.In cultural heritage, it is more prominent in Chinese characteristics, fully tap Chinese elements, and emphasizes the combination of culture and industry.
Highlight local characteristics in inheritance
At this years home textile exhibition, the organizer policy has lacks market experience in the inheritance of intangible cultural heritage, organizes relevant training to help exhibitors break through in terms of product display, design and development, and market development, and promote the intangible material cultureHeritage has changed to industrialization and commercialization.
Yang Zhaohua, president of the China Home Textile Association, said that promoting home textile culture will be one of the highlights of this years home textile exhibition.The family textile cultural heritage is the deposition and crystallization of ancient civilization. It hides the life password of a national culture, which contains the unique spirit, thinking, imagination, and ideological consciousness of the nation. It is one of the basic basis for maintaining cultural identity and cultural sovereignty.It is necessary to deepen the culture of home textiles. First of all, we must do a good job of inheritance, and make a stronger and strengthening home textile culture from the three dimensions of inheritance, integration and development.If the cultural heritage is not done well, it will not be able to develop original local products.
At present, domestic home textile products, especially the homogeneity of bedding, are serious.As a creative cultural industry, the home textile industry can be designed to design good works only on the basis of local culture and integrate ethnic elements and international trends, and create a trend of home textile fashion that is different from the West and independent innovation.
In order to make Chinas traditional culture be better inherited and developed in the home textile industry, the China Dunhuang Grottoes Protection Research Foundation will bring a typical decorative pattern selected from the Dunhuang Grottoes to appear at home textile exhibitions, showing people to the exquisiteThe Dunhuang Grottoes art also allows people to understand Buddhist art and the process of nationalization.
Mysterious and charming Dunhuang Grottoes Art
As one of the iconic symbols of traditional Chinese culture, the exquisite Dunhuang Grottoes art has always been the source of inspiration for many designers.
The Dunhuang Grottoes, represented by Mogao Grottoes, stretches for thousands of years. Its unique artistic forms inherit the artistic traditions of local Han and Jin dynasties, absorb the style of the art genre of the Northern and Northern Dynasties and the Tang and Song dynasties.The artistic style of Central Asia and West Asia, especially exaggerated, deformation and other imaginative creative methods and the use of color, so that it has irreplaceable artistic value, which is deserved to be included in the list of world cultural heritage.
The figure paintings, landscape paintings, animal paintings, decorative pattern paintings, etc. in the murals of Dunhuang Grottoes all have a history of thousands of years.These patterns are rich in patterns and gorgeous colors. They are the epitome of Chinese pattern history in the Middle Ages, and they can be called a picture of decorative art.According to the decorative site and nature of the pattern, the Dunhuang pattern can be divided into four categories: construction, clothing, Buddha utensils, and general decoration.The architectural patterns include the human characters in the grotto, the wooden cave outside the grave, the wooden, and the wooden cave outside the grotto, and the decoration of the building in the mural;, Buddhas top Chinese, Buddha seats, Buddha and Bodhisattvas backlight, and the furnishings for Buddha; generally decorative patterns are mainly trim -like paintings between buildings, murals and parts of various parts.
There are types of patterns, plants, beasts, clouds, flames, and geometry. The pattern forms include separate patterns, suitable patterns, corner patterns, strip -shaped patterns, two -way continuous and four -party continuous pattern.All forms.These colorful patterns not only retain precious materials for studying ancient Chinese patterns, but also provide rich pattern resources for modern art.And only a few of these generous pattern resources are disclosed by historical documents, and most of the rest are still hidden caves, and it is difficult for the world to see its true appearance.Since Dunhuang Grottoes are non -moving cultural relics, this exhibition is mainly based on the form of inkjet pictures and forum lectures, introducing various decorative patterns in Dunhuang Grottoes to the audience.
The source of the design of Chinese home textile design
"As far as the home textile industry is concerned, it can draw original inspiration from the traditional Dunhuang pattern pattern, especially its exaggeration, deformation, suitable creative methods and the use of color.The source of home textile style with Chinese characteristics has been formed."This year, we specially invited the Dunhuang pattern patterns to enter the home textile exhibition, which is to provide home textile designers with an opportunity to experience the splendid traditional culture of China, stimulate original inspiration in perception, and create a new more in line with modern peoples aesthetics in the inheritance.Home textile products.
It is understood that at present, a group of home textile companies such as Hangzhou Celida and Nantong Lan Silka have been actively looking for and developing Dunhuang pattern style products through various channels.The exquisite Dunhuang pattern patterns are unveiled at home textile exhibitions, which will undoubtedly provide these home textile companies with richer decoration and creative resources.
According to Yang Xiuqing, Secretary -General of the Dunhuang Grottoes Protection Research Foundation, this time I was invited to participate in the 16th China International Home Textile Exhibition, which is to show the exquisite and colorful patterns of the Dunhuang Grottoes from all walks of life in order to make more people understand the Dunhuang pattern.And discuss the possibility of drawing, inheriting and carrying forward in the field of home textiles, combine the research and industrial development of Dunhuang pattern art to serve modern beautiful life.

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